Spode Music Week
Over the years, Spode Music Week has managed to maintain its Catholic ethos. Everyday Mass is celebrated, the highlight of the week being the final Mass in which the course work is performed – this year it was Vaughan William’s Mass in G Minor, a work that was chosen to commemorate the 50th anniversary of Vaughan Williams’ death. Compline is also sung every evening. One of the most popular compline settings among Spode participants was composed by the composer Anthony Milner, the brother of our very own Austin Milner OP. This year, Fr Austin gave a talk about Conrad (Steven) Pepler’s life before he joined the order and his association with Eric Gill. Another very interesting talk was given by the composer Judith Bingham who spoke about how she goes about writing liturgical music.
A great variety of orchestral works was performed during the week ranging from Bach’s Brandenburg concerto No. 2 to the theme tune to Thunderbirds. There were also several very high quality evening recitals. One was given by Alison Wells and another by Sophie Bevan, both of whom are well known sopranos. In addition to the Vaughan Williams Mass, two other choral works were performed, Shakespeare Songs and May Magnificat composed by William Mathias. May Magnificat is a choral setting to the beautiful poem by Gerard Manley Hopkins.
A testament to the popularity of Spode Music Week is that people keep coming back with their families year after year. The combination of liturgical and non-liturgical music, together with the friendly environment in which there is something on offer for musicians of all abilities makes the week very inclusive and appealing. The lasting success of Spode Music Week is a very fitting tribute to Conrad Pepler OP.